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[ woman head ]Spent much of the day at Ground, doing a little sketching, and reading Scott Morse’s Soulwind, a big, satisfying brick of a comic. I’ve never been really happy with Morse’s work before this, but man, Soulwind delivers. He flips among a bunch of different art styles, all great-looking, for the story’s different settings (planets, eras) and occasional tales-within-tales, and it looks like he’s starting out telling one kind of story, then he winds that up, not quite in the way you’d expect, and goes off in a different direction entirely, picking up a thread that most authors wouldn’t have bothered with, and then loops that thread back around,.... If you’ve got $30 to drop on a 520-page paperback comic (I think there’s also a hardcover edition for more), this is the one to drop it on.

Looking at Morse’s brushwork all day had me in the mood to do some loose brush stuff of my own, but mine wound up sucking, so instead, here’s a cross-hatchy sketch I did yesterday while waiting for [livejournal.com profile] bugsybanana to show up for sushi:

Big drawing, the view out the window of the Starbucks at the corner of Broadway & 17th St )
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I’ve come to the conclusion that I’m just better at the fine-line cross-hatching thing than at the chunky brush-pen thing. <sigh> Though I am acquiring some aptitude with the brush-pen, it’s just never gonna dance in my hands like in some folks’.

[ two guys at Ground ]

Had another day off today, which I managed to spend remarkably little of doing anything useful or productive. I’m about a third of the way through Mason & Dixon, which is turning out to be very funny (dry and ironic wit, but I like that sort of thing), and it’s an effort not to slip into pseudo-18th-century writing style.
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[ Loew's thumbnail ]I took advantage of today’s nice weather to walk down Newark Avenue to Journal Square and get a look at the Loew’s Jersey Theatre, a once (and maybe future) beautiful Jersey City landmark. There was a bench across the street, well-sited for sketching, but it was still a bit far to catch the detail in the molding. Just a rough sketch, then:

Loew's Jersey Theatre )

Then I hit the local Indian Row, had a cheap masala dosa for lunch, picked up a cheap Teach Yourself Hindi book to pick words and phrases out of for my character in [livejournal.com profile] bsd_rpg, and walked back home. Sat my ass down in Ground with a cuppa decaf and sketched with my trusty 005 Pigma Micron:

Some people at Ground )

I finished Gene Wolfe’s The Knight last night. It’s good; pretty accessible for a Wolfe book. Though it’s got the typical Wolfe touches, like bits where he’ll skip a big chunk of time and not bother to tell you about it till much later. (And that’s doubly odd considering that this is an epistolary novel, supposedly a latter from the protagonist to his brother.) But the language is straightforward, without the exoticisms of New Sun or the slang dialog of Long Sun. And it’s got lots to say about loyalty and heroism. I’m eager for the second half.

Today I started Thomas Pynchon’s Mason & Dixon. I’m glad I followed up on that impulse — I’m enjoying this. It’s a bit tough to penetrate, since it’s written in an 18th-century style, but I can manage it, and past reading (the Aubrey & Maturin books, and Gene Wolfe as well) is coming in handy. So far (not very, since I haven’t actually just sat down and spent a big chunk of time reading), it’s bizarre and a bit funny.
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[ woman on PATH ]My current project at work seems about finished. I may have some more images to clean up tomorrow, or I may not. Shouldn’t be a problem, though. There are more projects after this one.

After work I plopped myself down in Bryant Park and did some sketching, but nothing particularly good. (The sketch here is a woman sitting next to me on the PATH trip home.) I tried that lovely brushpen I got a few weeks back, and it still dries out real quick, and it doesn’t seem to fill up very well. Shame, because it’s got a great point.

The park closed at 7, so I stopped off at Coliseum Books and found a couple of things I’d been looking for. One was a paperback copy of Thomas Pynchon’s Mason & Dixon, which I’ve had an inexplicable urge to read for the past few weeks. The other was Cartooning the Head & Figure by Jack Hamm, which Carla Speed McNeil recommended. I skimmed through it on the way home, and it looks like one of the best cartooning references I’ve ever seen.
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Been feeling kinda low-level crappy recently. Not so much today; yesterday I noticed myself clenching my jay and grinding my teeth a whole lot. Still don’t know why. Maybe it’s just not going to the gym.

Or not drawing. It’s been a while since I really had time to sit and draw like I used to. I’ve started taking my pocket-sized Moleskine sketchbook and a 005 Micron Pigma in my jacket breast pocket and sketching people on the train again:

[ sketches ]

Soooo rusty. I’ve also been sketching school uniform designs for [livejournal.com profile] bigscary’s upcoming online RPG. Rusty there, too. The pen just don’t dance like it used to.
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The office was closed yesterday for Good Friday (nice for the employees, not so nice for us freelancers), giving me a chance to visit the American Museum of Natural History on a weekday and sketch birds and bats. (It’s research.)

First I stopped off at Kinokuniya Books to replenish my stocks of 0.5-mm non-photo blue mechanical pencil leads. They had three packs, and since a pack lasts me three or four months, I bought all three, which should do for the year. Now I have the sole supply of these leads in the NYC area! Mwa-ha-ha-ha-ha! I also picked up yet another brush pen, this one having a small, fine point, like my old Splash pen, but with faster-drying ink.

Then off to the museum. Lots of subway stations have been redecorated in the past decade or so, many with mosaics, and the 81st Street station is my favorite. (My second favorite is the one with all the hat mosaics, which I could’ve sworn was the 28th Street station on the Broadway line. The mosaics they actually seem to have there are pretty cool, but not what I remember. Oh, hey, and I haven’t seen this at the 14th St station on Eighth Avenue. And check out Whitehall Street.) I like getting out at the north end and walking down the length of the platform to the south end, which has an entrance directly into the museum.

The museum trip was a mistake; not nearly as successful as my last visit (almost two years ago!). Not only do my sketches mostly suck — I could probably have been more productive just downloading reference photos off the net — but after very little time there I just lost all my energy and wandered around zombie-like. I sat for a while in the primate section, marveling at the parents who think a museum is a good place for a child still in a stroller. This kid seemed to be pretty freaked out by the primates, and no wonder. That white-handed gibbon is one creepy-looking sumbitch:

[ Hylobates lar ]

Eventually I gave up, left the museum, caffeinated myself to the gills, and headed off to Games Club.
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[ long-headed woman ]I discovered, while trying to do some sketching during [livejournal.com profile] drcpunk’s game on Saturday, that the new weapon dries out if I don’t use it for a few days. I’ll have to either keep refilling it, or carry a bottle of ink around with me. I don’t like the latter idea, though Pelikan’s ink bottles seem pretty sturdy. I also think I’m handling ordinary brush markers a bit better now. (Of the four drawings below, the one on the lower-left was done with the new brush marker, the others with a cheaper Faber-Castell Pitt brush marker. And the one up above was done with a Pitt finepoint.)

More sketches )

In the course of this week’s Cthulhupunk adventure, one of my characters was wounded by a werewolf. There are emergency anti-lycanthropy treatments one can take to try and prevent infection, but we’ve decided that they didn’t work, and my character will be in for a surprise next full moon, and I’ve drafted some Over the Edge-compatible rules for therianthropy. This new development ought to make her more combat-capable, especially since she’ll retain her ability to electrocute people on touch. Silver’s an excellent conductor....
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After [livejournal.com profile] bugsybanana left, I spent two or three hours at ground, reading A Ring of Swords and occasionally sketching. I’m trying out that new brush pen, and it really rocks. Nice flow, controllable, flexible. And the ink is remarkably well-behaved, not seeping through even the mere 60-lb paper in my sketchpad.

[ woman with ponytail ]


This second sketch ) reminds me a bit of Jeff Nicholson’s work in Through the Habitrails (one of the most frightening comics ever, a brilliant Kafkaesque nightmare story about having a day job), because I didn’t bother with her mouth. (If you decide to order it from Colonia Press, scroll down the page and go for the first edition. Not only is it cheaper, but it lacks the epilog which actually sort of ruins the ending and was just a set-up for a sequel series that never materialized.)

Brush pen

Feb. 26th, 2004 12:04 am
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I stepped out of work a bit early today and went down to NY Central Art Supply to get some replacements for pens that are drying out. I also picked up that neat $10 (not $7) Japanese brush pen I played with back in September — the same day, coincidentally, that I interviewed with the company I’m now working for.

The pen makes really nice marks. Unfortunately, there was no packaging, and the only writing on the pen is in Japanese, so I can’t identify the brand. It’s got a metallic barrel (mine’s silver, and it also comes in gold) and a spongy tip, not one with separate fibers. It takes drawing ink (non-waterproof).

Oh, and I forgot to wish y’all a happy Leap Day yesterday (the 24th).

Sketches

Dec. 1st, 2003 12:39 am
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Sketchbook dump: All Melorne, all the time! )

Bohnaparte

Nov. 27th, 2003 01:39 am
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Went in for comics today, only thing I got was New X-Men #149 (part four of the “Planet X” arc). Have I mentioned how very much I like the new student characters Morrison has introduced over the course of his run on the title?

I stopped in at the uptown branch of Pearl Paint first, to get more pens. My old Pitt S fineline was drying out, and my black Pitt brushpen has a frayed tip. I was also intending to get some gray Tria markers, but the uptown Pearl doesn’t seem to carry those.

Met [livejournal.com profile] bugsybanana, [livejournal.com profile] womzilla, and [livejournal.com profile] drcpunk at Cosmic. (Man, having an LJ client that auto-formats user tags kicks ass.) We went out for Indian food (and were joined by [livejournal.com profile] mnemex), then headed over to Neutral Ground to get some boardgaming in. Bugsy played her first game of Puerto Rico.

Then we played Bohnaparte, a very odd and hard-to-find expansion for Bohnanza that turns it into a wargame. Seriously. You play a regular game of Bohnanza (though everyone starts out with a third beanfield), and there’s a board of cards (representing territories) in the middle of the table. As you accumulate money, you can spend it to launch attacks on neighboring territories, using bean cards out of your hand to indicate attack strength. I won, narrowly beating out Womzilla; Bugsy and Mnemex were handicapped by unlucky draws early in the game that quashed their first few attacks. One odd quirk: The number on the card, the one indicating frequency, is used for attack strength, so the most powerful cards (the blue beans, of which there are 20) are the most common. Strategic tip, in the unlikely event you find yourself playing: Get a munitions depot early in the game, and dump blue beans and chili beans into it.
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OK, I admit, the eyes are getting kinda ridiculously big.

Melorne sketch, watercolor effect )

I’m trying something new here, using a water-soluble marker (black Staedtler brush marker) and then going in with a water brush and pulling out tones. It’s a nice effect. I picked it up from [livejournal.com profile] mishmow (though she used a Tombo marker), and she got it from Enrico Casarosa. Also, I used thick Japanese cold-press watercolor paper, and she used Strathmore drawing paper.

Now I think I need to get a bigger watercolor pad. No, wait, I think I’ve got some hot-press pads around somewhere. And, hm. OK, the little cold-press pad I used here, a Holbein Multi-Drawing Book, was size OF, about 7.5 x 5.75 inches. The bigger one I’ve already got is size 3F, 9 x 10.75 inches. That oughta do; I shouldn’t need to go for the 10 x 13. (And when I googled for “Holbein Multi-Drawing Book”, the only hit I got was an entry in my own weblog.)
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More character designs, along the same lines as yesterday. Corinne, the girl, now has an owl; her little brother Joseph has the raven. (Note to self: Need to Google up some owl photos for reference. And redesign Joseph’s coat.) The gray tones here are Pitt grayscale brush markers.

These are characters for a story that wants to be a physical comic, not a web comic. If I ever get it done, I’ll probably try submitting it to Top Shelf; I’m aiming for a tone not dissimilar to Three Fingers.

Corinne and Joseph )

And I’ve noticed recently that I seem to be more comfortable drawing sitting up in a sketchbook than at a drawing table. This is probably not a good thing.
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What, a whole three days without any artwork?

Fiddling around a bit with water-soluble graphite pencils. Not really happy with the result, actually. May have to play around with this combination of media some more. I’ve been doing a lot of intense cross-hatching recently, and liking it, but that’s not stylistically appropriate for the particular project that this character is for.

I might be better off just doing the line art on paper, then applying pseudo-washes in Photoshop (or Painter).

Sketch )
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Oooh, the Alvin Penstix 0.3mm pen is now my favorite weapon in the never-ending war on blank paper. I lurves that hard plastic tip. Only drawback: the ink isn’t waterproof. I see Alvin makes a waterproof version, but I fear the tip may be different. Something new to check on next time I’m in Manhattan.

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